![]() But just as the Bauhaus had made the figuration of learning itself its mission, the typography course took shape only gradually and remained in many respects creatively experimental, as is shown by the five artistic typeface designs of the Bauhaus teachers and students Joost Schmidt, Carl Marx, Alfred Arndt, Reinhold Rossig and Xanti Schawinsky. Choose from the world's most iconic Bauhaus fonts for free From geometric shapes to bold typefaces, these classic designs will give your work a timeless look. Self-designed manifestos, flyers, posters, advertising brochures and the magazine bauhaus emerged from the printing and advertising workshop headed by Herbert Beyer, but it was Joost Schmidt who only in Dessau developed a systematic course in graphic design. ![]() It is therefore all the more surprising that, at the Bauhaus, typeface design was long viewed as just a secondary task. The original Bauhaus manifesto in 1919 used Ohio-Shrift, an elegant serif font. It stands to reason that designers who aimed to modernize everyday life also explored text and type. ![]() Prozessfoto "Hidden Treasures Bauhaus Dessau", Adobe, 2018 / © Doug Beach, Adobe Typography at the Bauhaus
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